Light of the Western Stars Page 33

  "Lord, Danny if you hevn't been an' gone an' struck it rich!"

  Danny regarded Stillwell with lofty condescension.

  "Some rich," he said. "Now, Bill, what've we got here, say, offhand?"

  "Oh, Lord, Danny! I'm afraid to say. Look, Miss Majesty, jest look at the gold. I've lived among prospectors an' gold-mines fer thirty years, an' I never seen the beat of this."

  "The Lost Mine of the Padres!" cried Danny, in stentorian voice. "An' it belongs to me!"

  Stillwell made some incoherent sound as he sat up fascinated, quite beside himself.

  "Bill, it was some long time ago since you saw me," said Danny. "Fact is, I know how you felt, because Gene kept me posted. I happened to run across Bonita, an' I wasn't goin' to let her ride away alone, when she told me she was in trouble. We hit the trail for the Peloncillos. Bonita had Gene's horse, an' she was to meet him up on the trail. We got to the mountains all right, an' nearly starved for a few days till Gene found us. He had got in trouble himself an' couldn't fetch much with him.

  "We made for the crags an' built a cabin. I come down that day Gene sent his horse Majesty to you. Never saw Gene so broken-hearted. Well, after he sloped for the border Bonita an' I were hard put to it to keep alive. But we got along, an' I think it was then she began to care a little for me. Because I was decent. I killed cougars an' went down to Rodeo to get bounties for the skins, an' bought grub an' supplies I needed. Once I went to El Cajon an' run plumb into Gene. He was back from the revolution an' cuttin' up some. But I got away from him after doin' all I could to drag him out of town. A long time after that Gene trailed up to the crags an' found us. Gene had stopped drinkin', he'd changed wonderful, was fine an' dandy. It was then he began to pester the life out of me to make me marry Bonita. I was happy, so was she, an' I was some scared of spoilin' it. Bonita had been a little flirt, an' I was afraid she'd get shy of a halter, so I bucked against Gene. But I was all locoed, as it turned out. Gene would come up occasionally, packin' supplies for us, an' always he'd get after me to do the right thing by Bonita. Gene's so dog-gone hard to buck against! I had to give in, an' I asked Bonita to marry me. Well, she wouldn't at first—said she wasn't good enough for me. But I saw the marriage idea was workin' deep, an' I just kept on bein' as decent as I knew how. So it was my wantin' to marry Bonita—my bein' glad to marry her—that made her grow soft an' sweet an' pretty as—as a mountain quail. Gene fetched up Padre Marcos, an' he married us."

  Danny paused in his narrative, breathing hard, as if the memory of the incident described had stirred strong and thrilling feeling in him. Stillwell's smile was rapturous. Madeline leaned toward Danny with her eyes shining.

  "Miss Hammond, an' you, Bill Stillwell, now listen, for this is strange I've got to tell you. The afternoon Bonita an' I were married, when Gene an' the padre had gone, I was happy one minute an' low-hearted the next. I was miserable because I had a bad name. I couldn't buy even a decent dress for my pretty wife. Bonita heard me, an' she was some mysterious. She told me the story of the lost mine of the padres, an' she kissed me an made joyful over me in the strangest way. I knew marriage went to women's heads, an' I thought even Bonita had a spell.

  "Well, she left me for a little, an' when she came back she wore some pretty yellow flowers in her hair. Her eyes were big an' black an' beautiful. She said some queer things about spirits rollin' rocks down the canyon. Then she said she wanted to show me where she always sat an' waited an' watched for me when I was away.

  "She led me around under the crags to a long slope. It was some pretty there—clear an' open, with a long sweep, an' the desert yawnin' deep an' red. There were yellow flowers on that slope, the same kind she had in her hair—the same kind that Apache girl wore hundreds of years ago when she led the padre to the gold-mine.

  "When I thought of that, an' saw Bonita's eyes, an' then heard the strange crack of rollin' rocks—heard them rattle down an' roll an' grow faint—I was some out of my head. But not for long. Them rocks were rollin' all right, only it was the weatherin' of the cliffs.

  "An' there under the crags was a gold pocket.

  "Then I was worse than locoed. I went gold-crazy. I worked like seventeen burros. Bill, I dug a lot of goldbearin' quartz. Bonita watched the trails for me, brought me water. That was how she come to get caught by Pat Hawe an' his guerrillas. Sure! Pat Hawe was so set on doin' Gene dirt that he mixed up with Don Carlos. Bonita will tell you some staggerin' news about that outfit. Just now my story is all gold."

  Danny Mains got up and kicked back his chair. Blue lightning gleamed from his eyes as he thrust a hand toward Stillwell.

  "Bill, old pal, put her there—give me your hand," he said. "You were always my friend. You had faith in me. Well, Danny Mains owes you, an' he owes Gene Stewart a good deal, an' Danny Mains pays. I want two pardners to help me work my gold-mine. You an' Gene. If there's any ranch hereabouts that takes your fancy I'll buy it. If Miss Hammond ever gets tired of her range an stock an' home I'll buy them for Gene. If there's any railroad or town round here that she likes I'll buy it. If I see anythin' myself that I like I'll buy it. Go out; find Gene for me. I'm achin' to see him, to tell him. Go fetch him; an' right here in this house, with my wife an' Miss Hammond as witnesses, we'll draw up a pardnership. Go find him, Bill. I want to show him this gold, show him how Danny Mains pays! An' the only bitter drop in my cup to-day is that I can't ever pay Monty Price."

  * * *

  Madeline's lips tremblingly formed to tell Danny Mains and Stillwell that the cowboy they wanted so much had left the ranch; but the flame of fine loyalty that burned in Danny's eyes, the happiness that made the old cattleman's face at once amazing and beautiful, stiffened her lips. She watched the huge Stillwell and the little cowboy, both talking wildly, as they walked off arm in arm to find Stewart. She imagined something of what Danny's disappointment would be, of the elder man's consternation and grief, when he learned Stewart had left for the border. At this juncture she looked up to see a strange, yet familiar figure approaching. Padre Marcos! Certain it was that Madeline felt herself trembling. What did his presence mean on this day? He had always avoided meeting her whenever possible. He had been exceedingly grateful for all she had done for his people, his church, and himself; but he had never thanked her in person. Perhaps he had come for that purpose now. But Madeline did not believe so.

  Mention of Padre Marcos, sight of him, had always occasioned Madeline a little indefinable shock; and now, as he stepped to the porch, a shrunken, stooped, and sad-faced man, she was startled.

  The padre bowed low to her.

  "Senora, will you grant me audience?" he asked, in perfect English, and his voice was low-toned and grave.

  "Certainly, Padre Marcos," replied Madeline; and she led him into her office.

  "May I beg to close the doors?" he asked. "It is a matter of great moment, which you might not care to have any one hear."

  Wonderingly Madeline inclined her head. The padre gently closed one door and then the others.

  "Senora, I have come to disclose a secret—my own sinfulness in keeping it—and to implore your pardon. Do you remember that night Senor Stewart dragged me before you in the waiting-room at El Cajon?"

  "Yes," replied Madeline.

  "Senora, since that night you have been Senor Stewart's wife!"

  Madeline became as motionless as stone. She seemed to feel nothing, only to hear.

  "You are Senor Stewart's wife. I have kept the secret under fear of death. But I could keep it no longer. Senor Stewart may kill me now. Ah, Senora, it is very strange to you. You were so frightened that night, you knew not what happened. Senor Stewart threatened me. He forced you. He made me speak the service. He made you speak the Spanish yes. And I, Senora, knowing the deeds of these sinful cowboys, fearing worse than disgrace to one so beautiful and so good as you, I could not do less than marry you truly. At least you should be his wife. So I married you, truly, in the service of my church."

  "My God!" cried
Madeline, rising.

  "Hear me! I implore you, Senora, hear me out! Do not leave me! Do not look so—so—Ah, Senora, let me speak a word for Senor Stewart. He was drunk that night. He did not know what he was about. In the morning he came to me, made me swear by my cross that I would not reveal the disgrace he had put upon you. If I did he would kill me. Life is nothing to the American vaquero, Senora. I promised to respect his command. But I did not tell him you were his wife. He did not dream I had truly married you. He went to fight for the freedom of my country—Senora, he is one splendid soldier—and I brooded over the sin of my secret. If he were killed I need never tell you. But if he lived I knew that I must some day.

  "Strange indeed that Senor Stewart and Padre Marcos should both come to this ranch together. The great change your goodness wrought in my beloved people was no greater than the change in Senor Stewart. Senora, I feared you would go away one day, go back to your Eastern home, ignorant of the truth. The time came when I confessed to Stewart—said I must tell you. Senor, the man went mad with joy. I have never seen so supreme a joy. He threatened no more to kill me. That strong, cruel vaquero begged me not to tell the secret—never to reveal it. He confessed his love for you—a love something like the desert storm. He swore by all that was once sacred to him, and by my cross and my church, that he would be a good man, that he would be worthy to have you secretly his wife for the little time life left him to worship at your shrine. You needed never to know. So I held my tongue, half pitying him, half fearing him, and praying for some God-sent light.

  "Senora, it was a fool's paradise that Stewart lived in. I saw him, often. When he took me up into the mountains to have me marry that wayward Bonita and her lover I came to have respect for a man whose ideas about nature and life and God were at a variance with mine. But the man is a worshiper of God in all material things. He is a part of the wind and sun and desert and mountain that have made him. I have never heard more beautiful words than those in which he persuaded Bonita to accept Senor Mains, to forget her old lovers, and henceforth to be happy. He is their friend. I wish I could tell you what that means. It sounds so simple. It is really simple. All great things are so. For Senor Stewart it was natural to be loyal to his friend, to have a fine sense of the honor due to a woman who had loved and given, to bring about their marriage, to succor them in their need and loneliness. It was natural for him never to speak of them. It would have been natural for him to give his life in their defense if peril menaced them. Senora, I want you to understand that to me the man has the same stability, the same strength, the same elements which I am in the habit of attributing to the physical life around me in this wild and rugged desert."

  Madeline listened as one under a spell. It was not only that this soft-voiced, eloquent priest knew how to move the heart, stir the soul; but his defense, his praise of Stewart, if they had been couched in the crude speech of cowboys, would have been a glory to her.

  "Senora, I pray you, do not misunderstand my mission. Beyond my confession to you I have only a duty to tell you of the man whose wife you are. But I am a priest and I can read the soul. The ways of God are inscrutable. I am only a humble instrument. You are a noble woman, and Senor Stewart is a man of desert iron forged anew in the crucible of love. Quien sabe? Senor Stewart swore he would kill me if I betrayed him. But he will not lift his hand against me. For the man bears you a very great and pure love, and it has changed him. I no longer fear his threat, but I do fear his anger, should he ever know I spoke of his love, of his fool's paradise. I have watched his dark face turned to the sun setting over the desert. I have watched him lift it to the light of the stars. Think, my gracious and noble lady, think what is his paradise? To love you above the spirit of the flesh; to know you are his wife, his, never to be another's except by his sacrifice; to watch you with a secret glory of joy and pride; to stand, while he might, between you and evil; to find his happiness in service; to wait, with never a dream of telling you, for the hour to come when to leave you free he must go out and get himself shot! Senora, that is beautiful, it is sublime, it is terrible. It has brought me to you with my confession. I repeat, Senora, the ways of God are inscrutable. What is the meaning of your influence upon Senor Stewart? Once he was merely an animal, brutal, unquickened; now he is a man—I have not seen his like! So I beseech you in my humble office as priest, as a lover of mankind, before you send Stewart to his death, to be sure there is here no mysterious dispensation of God. Love, that mighty and blessed and unknown thing, might be at work. Senora, I have heard that somewhere in the rich Eastern cities you are a very great lady. I know you are good and noble. That is all I want to know. To me you are only a woman, the same as Senor Stewart is only a man. So I pray you, Senora, before you let Stewart give you freedom at such cost be sure you do not want his love, lest you cast away something sweet and ennobling which you yourself have created."

  XXIII. The Light of Western Stars

  Blinded, like a wild creature, Madeline Hammond ran to her room. She felt as if a stroke of lightning had shattered the shadowy substance of the dream she had made of real life. The wonder of Danny Mains's story, the strange regret with which she had realized her injustice to Stewart, the astounding secret as revealed by Padre Marcos—these were forgotten in the sudden consciousness of her own love.

  Madeline fled as if pursued. With trembling hands she locked the doors, drew the blinds of the windows that opened on the porch, pushed chairs aside so that she could pace the length of her room. She was now alone, and she walked with soft, hurried, uneven steps. She could be herself here; she needed no mask; the long habit of serenely hiding the truth from the world and from herself could be broken. The seclusion of her darkened chamber made possible that betrayal of herself to which she was impelled.

  She paused in her swift pacing to and fro. She liberated the thought that knocked at the gates of her mind. With quivering lips she whispered it. Then she spoke aloud:

  "I will say it—hear it. I—I love him!"

  "I love him!" she repeated the astounding truth, but she doubted her identity.

  "Am I still Madeline Hammond? What has happened? Who am I?" She stood where the light from one unclosed window fell upon her image in the mirror. "Who is this woman?"

  She expected to see a familiar, dignified person, a quiet, unruffled figure, a tranquil face with dark, proud eyes and calm, proud lips. No, she did not see Madeline Hammond. She did not see any one she knew. Were her eyes, like her heart, playing her false? The figure before her was instinct with pulsating life. The hands she saw, clasped together, pressed deep into a swelling bosom that heaved with each panting breath. The face she saw—white, rapt, strangely glowing, with parted, quivering lips, with great, staring, tragic eyes—this could not be Madeline Hammond's face.

  Yet as she looked she knew no fancy could really deceive her, that she was only Madeline Hammond come at last to the end of brooding dreams. She swiftly realized the change in her, divined its cause and meaning, accepted it as inevitable, and straightway fell back again into the mood of bewildering amaze.

  Calmness was unattainable. The surprise absorbed her. She could not go back to count the innumerable, imperceptible steps of her undoing. Her old power of reflecting, analyzing, even thinking at all, seemed to have vanished in a pulse-stirring sense of one new emotion. She only felt all her instinctive outward action that was a physical relief, all her involuntary inner strife that was maddening, yet unutterably sweet; and they seemed to be just one bewildering effect of surprise.

  In a nature like hers, where strength of feeling had long been inhibited as a matter of training, such a transforming surprise as sudden consciousness of passionate love required time for its awakening, time for its sway.

  By and by that last enlightening moment came, and Madeline Hammond faced not only the love in her heart, but the thought of the man she loved.

  Suddenly, as she raged, something in her—this dauntless new personality—took arms against indictment of Gene St
ewart. Her mind whirled about him and his life. She saw him drunk, brutal; she saw him abandoned, lost. Then out of the picture she had of him thus slowly grew one of a different man—weak, sick, changed by shock, growing strong, strangely, spiritually altered, silent, lonely like an eagle, secretive, tireless, faithful, soft as a woman, hard as iron to endure, and at the last noble.

  She softened. In a flash her complex mood changed to one wherein she thought of the truth, the beauty, the wonder of Stewart's uplifting. Humbly she trusted that she had helped him to climb. That influence had been the best she had ever exerted. It had wrought magic in her own character. By it she had reached some higher, nobler plane of trust in man. She had received infinitely more than she had given.

  Her swiftly flying memory seemed to assort a vast mine of treasures of the past. Of that letter Stewart had written to her brother she saw vivid words. But ah! she had known, and if it had not made any difference then, now it made all in the world. She recalled how her loosened hair had blown across his lips that night he had ridden down from the mountains carrying her in his arms. She recalled the strange joy of pride in Stewart's eyes when he had suddenly come upon her dressed to receive her Eastern guests in the white gown with the red roses at her breast.

  Swiftly as they had come these dreamful memories departed. There was to be no rest for her mind. All she had thought and felt seemed only to presage a tumult.

  Heedless, desperate, she cast off the last remnant of self-control, turned from the old proud, pale, cold, self-contained ghost of herself to face this strange, strong, passionate woman. Then, with hands pressed to her beating heart, with eyes shut, she listened to the ringing trip-hammer voice of circumstance, of truth, of fatality. The whole story was revealed, simple enough in the sum of its complicated details, strange and beautiful in part, remorseless in its proof of great love on Stewart's side, in dreaming blindness on her own, and, from the first fatal moment to the last, prophetic of tragedy.